AJA LUT BOX VS BOXEE UPDATE
So maybe it's time for an update to these converters that could include this color correction support, a better headphone amp, XLR headset connector and a few other improvements. AJA LUT-box In-line Colour Transform with SDI and HDMI Outputs and 3G and Duel-Link Inputs ajalut-boxcolourtransform / LUT-BOX-R0. The Camera Converter hasn't been updated in 4 or so years now (which is like an eternity for Blackmagic). Or maybe even better would be if the ATEM Camera Converter or Studio Converter boxes had this kind of color correction support built into them. Here’s a list of the most relevant characteristics of LUT boxes for on set use: Precision: The bigger the size of the look-up table the better its precision of the color processing. In the end it comes down to finding a compromise on characteristics. Although it seems like it might be possible for some software to sit in between the ATEM to listen for the camera color commands and send these to third-party LUT box. Distinct features of a LUT box have to be considered to find the best LUT box fitting your setup. Of course none of these boxes integrate with the Blackmagic ATEM switcher or it's camera color correction controls though. In addition to color correction it can also remotely control some cameras (currently only a few cinema cameras like RED and Arri are supported), but it seems like it should be possible for Teradek to add support for other cameras with Ethernet control. The Teradek COLR is kind of interesting, since it is remotely controllable over Wi-Fi (or wired or USB). Most allow you to load a 3D LUT file to allow for proper monitoring of log recording, for example, but have less direct support for live color tweaking. For example, the AJA LUT-box, Fujifilm IS-mini, and Teradek COLR. There are a few different inline LUT boxes that are mostly geared more toward the cinema market.
I'm sure many productions end up using a mix of cameras, even though it's not ideal. But not all cameras have a remote interface for controlling these settings, and it would be nice to still be able to do some basic color correction.Įven if you want to primarily use Blackmagic cameras for a production, there still a lot of cases where you might end up using a DSLR, GoPro, pan/tilt/zoom camera, or other camera from another manufacturer for a specific purpose. would be nice (using something like the Fieldcast box currently in-development).
AJA LUT BOX VS BOXEE FULL
Obviously full control of iris, gain/iso, etc. I'm guessing that there are a lot of people out there using other camera brands with Blackmagic switchers, and it would be great to have some ability to adjust the color of these video signals. I'd like to see a product like this as well.
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